Malbork

11 May

End of tile with a figure of a dancing dragon, 16th century

Provenance: China, the Ming dynasty, the period of Emperor Yŏnglé (1402–1424) or Wànli (1572–1620). Workshop: unknown, probably from the vicinity of Beijing (Beijing) Architectural detail; burnt clay; die imprinting, manual processing, yellow or green glazing, multiple...

11 May

Losses

Victorian golden mirror style jug, circa 1849.

Provenance: Great Britain, Staffordshire Workshop: unknown Delicate faience; bright, fine clay, die casting, manual processing, drying, traditional bisque firing, Copper Luster application, second reduction firing, enamel painting on the mirror surface, third final firing, traditional. Mirror -...

11 May

Losses

Victorian Etruscan water jug, circa 1866-1870

Provenance: Great Britain, Staffordshire; Cobridge Workshop: Elder Road Pottery Works in Cobridge; Thomas Furnival's pottery shop Faience; light fine clay, folding die casting, manual processing, drying, ceramic transfer printing, glazing, multiple firing; tin binding. Dimensions: height 22...

11 May

Losses

View of the Malbork Castle from the south-west

From: Meyer's Universum, oder Abbildung und Beschreibung des Sehenswerthesten und Merkwürdigsten der Natur und Kunst auf der ganzen Erde. Sechzehnter Band, Hildburghausen und New-York, Druck und Verlag vom Bibliographischen Institut, 1854, before p. 69 Unknown...

11 May

Losses

Sosjerka from Stolzenberg, 4th quarter of the 18th century

Provenance: Royal Prussia, Stolzenberg (today Chełm, a district of Gdańsk) Workshop: unknown Pomeranian faience; clay; mold casting; manual processing; drying; glazing; painting on raw lead-tin glaze with cobalt, manganese, copper and iron compounds, i.e. with high...

11 May

Losses

Segment of the ridge peak with the dragon, 17th – 18th century

Provenance: China, Qing Dynasty, Kangxi period (1662-1722) or Qianlong (1736-1795). Workshop: unknown, probably from the vicinity of Beijing (Beijing) Architectural detail; burnt clay; die imprinting, manual processing, glazing possibly green, firing several times Dimensions: unknown, presumably approx....

11 May

Losses

Portrait of the Grand Master Henryk Plauen (1410−1413)

unknown author, 4th quarter of 18th century technique: oil, canvas, wooden frame dimensions: 48 x 38 cm Origin: unknown; listed in the Inventory of the Middle Castle in Malbork from 1894 (Grand Masters Palace, Królewiecka Hall), in...

11 May

Losses

Portrait of the Prussian prince Georg Friedrich I, margrave von Brandenburg-Ansbach (1539−1603)

unknown author, 3rd quarter of the 17th century oil on canvas, period frame (in 1909 cleaned and duplicated by A. Fahlberg) dimensions: 216 x 168 cm Origin: Löbenicht; from 1830 in Malbork (Great Commandery at the Middle...

11 May

Losses

Small Ginger Pot, 1851–1861

Provenance: unknown Workshop: unknown Terracotta: turning on a wheel, drying, glazing, painting on raw glaze, probably with cobalt compounds, firing Dimensions: height approx. 5.6 cm, dia. basic 6 cm Inw. pre-war: HMM WPr. 395 On August 11, 1925, the...

11 May

Losses

Panorama of Malbork from the Nogat side

Fig. Friedrich Bernhard Werner (1690–1776), after 1727 (?), Ed. Jeremias Wolffs Erben (heirs of Jeremias Wolff: Johann Balthasar Probst, Johann Friedrich Probst, Georg Balthasar Probst), Augsburg between 1727-1754 In the composition frame, in the middle...

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Losses

End of tile with a figure of a dancing dragon, 16th century

Victorian golden mirror style jug, circa 1849.

Victorian Etruscan water jug, circa 1866-1870

View of the Malbork Castle from the south-west

Sosjerka from Stolzenberg, 4th quarter of the 18th century

Segment of the ridge peak with the dragon, 17th – 18th century

Portrait of the Grand Master Henryk Plauen (1410−1413)

Portrait of the Prussian prince Georg Friedrich I, margrave von Brandenburg-Ansbach (1539−1603)

Small Ginger Pot, 1851–1861

Panorama of Malbork from the Nogat side

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